Quarterly Journal Volume 51, Issue 4 December 2023

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The AIPLA Quarterly Journal, a publication of the American Intellectual Property Law Association, is housed at the George Washington University Law School and is edited and managed by an Editorial Board of intellectual property experts and a staff of law students under the direction of the Editor-in-Chief, Professor Joan Schaffner.

The Quarterly Journal is dedicated to presenting materials relating to intellectual property matters and is published four times per year. Editorial Board members (all of whom are lawyers) are selected based upon demonstrated interest and experience, and student staff members are selected from the students of the GWU Law School.
QJ 51.4 - Copyright, Literally

Glynn S. Lunney, Jr

COPYRIGHT, LITERALLY

The Copyright Act is a statute, but courts seldom treat it as one. Instead of relying on the precise language of the statute, courts often treat the Act as some general prohibition on plagiarism or copying writ large. This article argues for a different approach. It argues that courts should treat the Copyright Act like a statute and define a copyright owner's exclusive rights according to the precise language by which Congress defined those rights. The results are startling. Treating the Copyright Act as a statute, courts should define the exclusive rights far more narrowly than they currently and generally are.

QJ 51.4 - Orphan Drug Exclusivity and Catalyst: A Possible Catalyst for Gaps in Treatment Within Subpopulations of Rare Diseases and Conditions

Kelsey Ann Kerr

ORPHAN DRUG EXCLUSIVITY AND CATALYST: A POSSIBLE CATALYST FOR GAPS IN TREATMEMT WITHIN SUBPOPULATIONS OF RARE DISEASES AND CONDITIONS

Persons with rare diseases or conditions already are often left without treatment, due to inadequate research, or funding for research. Congress thus enacted the Orphan Drug Act ("ODA") to incentivize pharmaceutical companies to perform further research and development to treat these diseases. What is often neglected, sadly, is how there are subsets—subpopulations—within these diseases for whom drugs are not FDA-approved. Under the new Catalyst Pharmaceuticals, Inc. v. Becerra ruling, the Eleventh Circuit interpreted the ODA to grant orphan drug exclusivity ("ODE")—which traditionally was understood by FDA to be seven years’ exclusivity of the market for a particular approved “intended use”—for the entire condition for a particular drug. If FDA follows this interpretation, subsets of the population may be left without treatment while they wait for the exclusivity period to pass so that FDA can grant approval for their use of the drug. To avoid this result, there must be a legislative fix that amends the ODA such that the exclusivity provision relating to the “same drug for the same disease or condition” is applied for only the “approved use or indication.” To further enhance access to critical therapies for rare diseases, a clinical testing requirement should be imposed to include subpopulations of rare diseases or conditions. Alternatively, FDA should, as it has in its January notice, find ways to side-step the Catalyst ruling so that subpopulations have access to necessary treatment.

Copyright QJ 51.4 - The Necessity of the De Minimis Defense Within Music Sampling

Wanjiru (Wan) Gikiri

THE NECESSITY OF THE DE MINIMIS DEFENSE WITHIN MUSIC SAMPLING

Sampling is a unique technique consisting of taking small bits of prior recordings and including them in a new sound recording. However, despite sampling promoting a progression in creativity, some believe that it is “copying” and should not be permitted. This argument, which has been adopted by the Sixth Circuit, rests on the idea that if an artist takes any part of a prior work, even if it is minuscule, they must obtain a license. The Ninth Circuit created a circuit split when it developed the opinion that the “de minimis” defense can be used in sound recording cases involving music sampling. The validity of the Ninth Circuit's opinion is notable, given it promotes the goal of copyright. The best solution to the current circuit split would be to implement a two-part statute that (1) codifies the de minimis defense properly into copyright law and (2) ensures every defense available for other copyrightable works is available for sound recordings. Thus, sampling would be a permissible art form, and artists would be able to develop upon prior works to create new works of art, overall promoting creativity.

QJ Volume 51 Article and Author Index
Knobbe Martens

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